In this document you can find more information concerning browser settings and the way we and our social network, advertising and analytics partners process your data. If you fail to do so you should be aware that we are going to process your data according to our Privacy Policy. You can switch cookies off by adjusting your browser settings so if you donât agree with our cookie policy please, change your browser settings or leave our website. Our partners might combine information, obtained on this site, with other data they get from you as you make use of their services while surfing the internet. Information about your browsing habits is shared with our social network, advertising and analytics partners. Ultimately, the smaller sensor and and lens mean you don’t get the results you would from a DSLR, but this is the sort of compact camera I’d want in my pocket.As in the case of almost all other websites, cookies help us to personalize ads, offering you the most relevant information, allow you to share pages with social networks, make our services work as you expect and, overall, help us to monitor and improve our performance. It’s not alone in this space, the Canon PowerShot S95 is my other favourite, that also delivers impressive results easily, whilst giving you the controls to shoot as you might with a DSLR. I’ve been impressed with just how easy it is to get a decent shot out of the Olympus XZ-1. I settle for a straight shot and head off to mull over the meads and ciders instead. I try dialling down the exposure compensation, but the resultant shots are still over exposed, so I don't get the results I want. I find that the XZ-1 is slightly restricted because it only offers a minimum aperture of F/8.0 (typical of this type of camera). I'd been wanting to find to running water up here to try a slower shutter and get some movement in the shot. The dividing line is a little heavy, but the XZ-1 fares better than many lesser compacts would. The contrast of the rock against the sky could throw out some purple lines but it looks to be under control. I snap a typical tourist shot which does reveal something about the camera. The Gorge itself provides a dramatic backdrop, but more grey skies sees me struggling to really get creative. The sterling British public are undeterred by the weather, and donkey rides, ice cream and sand castles are still on the menu for a hardy few. The weather is appalling, but that’s to be expected on a February morning at a seaside resort. Weston-Super-Mare isn’t quite the jewel in the crown of the southwest that it used to be, but the restored pier provides the opportunity for some interesting shots with the XZ-1. I’m now in Weston-Super-Mare, the sun is gone and I’m staring at the Atlantic (or the Severn estuary, depending on how glamorous you want to be). On returning home from Barcelona, I found my family had been struck down with a stomach bug, so I pick up the action a week later. Many compacts lose grip on the sky in bright conditions, but the XZ-1 gave a wonderful blue whilst maintaining the exposure across the rest of the scene. Given a decent sky, we see the XZ-1 pull a trick that many Olympus cameras do and that’s give you brilliant blue skies. Unfortunately the file type limits you to 7 minutes, or 2GB, of capture per file. The results, however, at the 720p “HD” setting are nice and clean and the audio is surprisingly good for a busy show floor. Sure, there are times that you might want manual focus in video, such as if you are filming a still scene and don’t want the continuous AF seeking whilst you film, but you definitely need to use caution. It’s something of a double-edged sword, because it’s easy to forget that you’re in manual focus in a particular shooting mode and you’ll find your video is also manual focus. Without a “neutral” video position, you need to make sure that you’re shooting video the way you want it to turn out and in most cases that will mean returning to the iAuto position before pressing the video button, or changing the settings in the stills shooting mode before hitting the video button. This means that if you’ve had the exposure compensation turned up or down, you’ll get this in video, or if you are using an Art Filter, you’ll get this in your video too. It isn’t quite that simple, however, because the video mode will also pick-up on settings you’ve applied to stills capture. Pocket-Lint Recommendation: Nintendo Switch.Pocket-Lint Recommendations: Xbox Console.Pocket-Lint Recommendation: Google Nest.Pocket-Lint Recommendation: Amazon Echo Devices.Pocket-Lint Recommendations: Fire TV Stick.
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